5,260 Royalty-Free Audio Tracks for "Compositions In B Flat Major"

Cello concerto in e minor, op. 85 - iv. allegro, Op. 85

Bach C minor Passacaglia ground bass

Étude Op. 25, No. 12 — allegro con fuoco.

Morning Mood by Edvard Grieg, performed by the Czech National Symphony Orchestra as the Musopen Symphony Orchestra for the Musopen Kickstarter Project. „Morning Mood” Edvarda Griega w wykonaniu Czeskiej Narodowej Orkiestry Symfonicznej. Čeština: Edvard Grieg: skladba "Morning Mood" (Ranní nálada) hraje Český národní symfonický orchestr. Македонски: „Утро“ од Едвард Григ во изведба на Народниот симфониски орјкестар на Чешка.

Minuet WoO 10, No. 2, commonly known as Minuet in G Major

B natural minor scale ascending and descending.

B melodic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Wann?, puzzle canon by Johannes Brahms.

Introduction and Rondo capriccioso (A minor), op. 28. Camille Saint-Saens - Introduction and Rondo capriccioso (A minor), op. 28 (performed by Skidmore College Orchestra) Македонски: Камиј Сен-Санс — „Вовед и Рондо и капричозо“ (а-мол), оп. 28 (Оркестар на Скидморскиот колеџ) Introdukcja i rondo capriccioso a-moll na skrzypce i orkiestrę, Op. 28 autorstwa Camille Saint-Saëns w wykonaniu Skidmore College Orchestra.

C major scale, ascending and descending

Song Guilty, performed by Al Bowlly.

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Ascending and descending scale played in E flat major

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Subtonic as secondary dominant to the mediant in minor from Brahms Op.76.7, Eight Pieces, for piano (1878).

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

3rd movement from J. S. Bach's Italian Concerto played on piano

2nd movement from J. S. Bach's Italian Concerto played on piano

1st movement from J. S. Bach's Italian Concerto played on piano

Scale of the Locrian mode starting on C [ogg vorbis sound file]

Scale of the Aolian mode starting on C

Scale of the Phrygian mode starting on C [ogg vorbis sound file]

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

Janacek Sinfonietta 2nd movement, opening bars

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Violin concert in D, Op. 61 — 2nd movement: larghetto. Violinkonzert in D, Op. 61 — 2. Satz: larghetto.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Major scale on A.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone row from Stockhausen's Klavierstück IX.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone proportions of Studie I. I took F♮ as the starting point.

Prime row form from Stravinsky's Requiem Canticles.

Tone row with Schoenberg's initials preceded by remaining four notes.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Violink concert in D, Op. 61 — 1st movement: allegro ma non troppo. Violinkonzert in D, Op. 61 — 1. Satz: allegro ma non troppo.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

32 Variations in C minor, WoO 80.